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Reader
2: From "The Cellist of Sarajevo" by Paul Sullivan [Adapted] At the International Cello Festival in Manchester, England last April, I
heard the greatest cellists in the world gather for a week of celebration. The opening
night featured unaccompanied cello only. There on the stage sat a single, solitary chair.
No piano, no music stand, just a chair. Yo Yo Ma came out and played a piece called
"The Cellist of Sarajevo" by contemporary composer David Wilde. Quietly, almost
imperceptibly, the music started, creating a shadowy, empty universe, pervaded by a sense
of death. Slowly it built and grew into an agonizing, screaming, slashing furor which
gradually subsided back, fading shamelessly into silence.
When he finished, he remained bent over his cello, bow still
resting on the strings. No one movedwe scarcely dared to breathe. We all felt that
we had just witnessed the horrible scene ourselves. After a long period of absolute
silence, Yo Yo slowly straightened in his chair, looked into the audience, and raised his
hand. He beckoned someone to come to the stage, and we realized it was himthe
cellist of Sarajevo himself.
Vedran Smailovic, who had just escaped from Sarajevo, dressed
in a tattered and stained leather motorcycle suit with fringe on the arms, rose from his
seat and headed down the aisle as Yo Yo came off the stage and headed up the aisle to meet
him. His wild, long hair and huge mustache framed a face that looked 80 years
oldcreased with pain and wet with so many tears. This was the first time he had
heard the piece. With arms flung wide, they met each other in a passionate embrace right
at my chair. The audience leapt to their feet in a chaotic, emotional frenzy, clapping,
weeping, shouting, embracing, cheering. It was deafening and overwhelming. All the jewels
and perfume and sophistication, now completely meaningless and forgottenall stripped
down to the starkest, deepest humanity. What a triumph for us all. And what a triumph for
music! Here was a room filled with 600 people whose lives had been largely devoted to that
simple and unassuming instrument. Here were bow makers, collectors, amateurs, historians,
varnishers, and, of course, the greatest master players came from all over the world. And
here they encounter a man who shook his cello in the face of bombs, death, and
ruinand defied them. It became the sword of Joan of Arc. It became the mightiest of
them all.
(Longer Pause)
Response: From Abraham Lincoln's writings.
All: Grant, O merciful God,
that with malice toward none,
with charity to all,
with firmness in the right as you give us to see the right,
we may strive to finish the work we are in:
to bind up the nation's wounds
to care for those who have borne the battle
and for their widows and orphans,
to do all which may achieve and cherish
a just and lasting peace
among ourselves and with all nations.
(Short Pause)
Leader: Saint John Baptist de La Salle
All: Pray for us.
Leader: Live Jesus in our hearts.
All: Forever. |
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